LINGUSTICALLY RELEVANT DEGREES OF WORD STRESS

Strictly speaking, a polysyllabic word has as many degrees of stress as there are syllables in it American and English phoneticians give the following pattern of stress distribution in the word

3 2 4 1 5

examination.

They mark the strongest syllable, with primary accent with the numeral 1, then goes 2, 3, etc.

The majority of British phoneticians distinguish three degrees of word-stress. The strongest stress is called primary stress, the second strongest secondary, while all the other degrees of stress are grouped together under the cover term of weak stress. The syllables bearing either primary or secondary stress are termed stressed, while syllables with weak stress are called, somewhat inaccurately, unstressed.

In the phonetic transcription used in textbooks and works on phonetics, as well as in pronouncing dictionaries, the po­sition of the accent is indicated by placing the stress mark before the symbol of the first sound of the accented syllable, primary stress being marked by a short vertical stroke (tick), secondary stress by a lowered one, e. g. e ֽxami'nation.

The degrees of stress are also indicated differently in the latter two cases. Thus, in Webster's Dictionary "the princi­pal accent is indicated by a heavy mark ('), and the second­ary accent by a light mark ('), at the end of the syllable", e. g. exam'ina'tion.

The American descriptivists distinguish a greater number of degrees of word-stress; they use other terms to denote them and other marks to indicate each degree. Gleason and most other American descriptivist distinguish also four degrees of word-stress in English, calling and indicating them as follows: (1) primary stress—/'/, (2) secondary stress — /′`/, (3) tertiary stress — /‵/, and (4) weak stress — /`′/.

The sequence of syllables in the word is not pronounced identically. The syllable or syllables which are uttered with more prominence than the other syllables of the word are said to be stressed or accented. Stress in the isolated word is termed word stress; stress in connected speech is termed sentence stress.

Stress is defined differently by different authors. B.A. Bogoroditsky, for instance, defined stress as an increase of energy, accompanied by an increase of expiratory and articulatory activity. D. Jones defined stress as the degree of force, which is accompanied by a strong force of exhalation and gives an impression of loudness. H. Sweet also stated that stress, is connected with the force of breath. According to A.C. Gimson, the effect of prominence is achieved by any or all of four factors: force, tone, length and vowel colour.

If we compare stressed and unstressed syllables in the words contract ['kσntrækt], to contract [kən'trækt], we may note that in the stressed syllable:

(a) the force is greater, which is connected with more energetic articulation;

(b) the pitch of voice is higher, which is connected with stronger tenseness of the vocal cords and the walls of the resonance chamber;

(c) the quantity of the vowel [æ] in [kən'trækt] is greater, the vowel becomes longer;

(d) the quality of the vowel [æ] in the stressed syllable is different from the quality of this vowel in the unstressed position, in which it is more narrow than ['æ].

On the auditory level a stressed syllable is the part of the word which has a special prominence. It is produced by a greater loudness and length, modifications in the pitch and quality. The physical correlates are: intensity, duration, frequency and the formant structure. All these features can be analyzed on the acoustic level. Word stress can be defined as the singling out of one or more syllables in a word, which is accompanied by the change of the force of utterance, pitch of the voice, qualitative and quantitative characteristics of the sound, which is usually a vowel. In different languages one of the factors constituting word stress is usually more significant than the others. According to the most important feature different types, of word stress are distinguished in different languages.

1) If special prominence in a stressed syllable or syllables is achieved mainly through the intensity of articulation, such type of stress is called dynamic, or force stress.

2) If special prominence in a stressed syllable is achieved mainly through the change of pitch, or musical tone, such accent is called musical, or tonic. It is characteristic of the Japanese, Korean and other oriental languages.

3) If special prominence in a stressed syllable is achieved through the changes in the quantity of the vowels, which are longer in the stressed syllables than in the unstressed ones, such type of stress is called quantitative.

4) Qualitative type of stress is achieved through the changes in the quality of the vowel under stress.

English word stress is traditionally defined as dynamic, but in fact, the special prominence of the stressed syllables is manifested in the English language not only through the increase of intensity, but also through the changes in the vowel quantity, consonant and vowel quality and pitch of the voice.

Russian word stress is not only dynamic but mostly quantitative and qualitative. The length of Russian vowels always depends on the position in a word.

Now we should like to distinguish the notions of word stress and sentence stress. They are first of all different in their sphere of application as they are applied to different language units: word stress is naturally applied to a word, as a linguistic unit, sentence stress is applied to a phrase. Secondly, the distinction of the rhythmic structure of a word and a phrase is clearly observed in the cases when the word stress in notional words is omitted in a phrase, e.g. I 'don't think he is 'right or when the rhythmic structure of the isolated word does not coincide with that of a phrase, e.g. 'Fifteen. 'Room Fifteen. 'Fifteen 'pages.

So in a speech chain the phonetic structure of a word obtains additional characteristics connected with rhythm, melody, and tempo. Though the sentence stress falls on the syllable marked by the word stress it is not realized in the stressed syllable of an isolated word but in a word within speech continuum. Since the spheres of word stress and sentence stress fall apart their functions are actually different. Sentence stress organizes a sentence into a linguistic unit, helps to form its rhythmic and intonation pattern, and performs its distinctive function on the level of a phrase.

Stress difficulties peculiar to the accentual structure of the English language are connected with the vowel special and inherent prominence. In identical positions the intensity of English vowels is different. The highest in intensity is /a:/, then go /о:, з:, i:, u:, æ, σ, e, υ, i/.

All English vowels may occur in accented syllables, the only exception is /ə/, which is never stressed. English vowels /i, и, ə υ/ tend to occur in unstressed syllables. Syllables with the syllabic /1, m, n/ are never stressed. Unstressed diphthongs may partially lose their glide quality. In stressed syllables English stops have complete closure, fricatives have full friction, and features of fortis/lenis distinction are clearly defined.

. Functions and tendencies of the English stress

Word stress in a language performs three functions.

1. Word stress constitutes a word, it organizes the syllables of a word into a language unit having a definite accentual structure, that is a pattern of relationship among the syllables; a word does not exist without the word stress Thus the word stress performs the constitutive function. Sound continuum becomes a phrase when it is divided into units organized by word stress into words.

2. Word stress enables a person to identify a succession of syllables as a definite accentual pattern of a word. This function of word stress is known as identificatoiy(у него так в лекции) (or recognitive). Correct accentuation helps the listener to make the process of communication easier, whereas the distorted accentual pattern of words, misplaced word stresses prevent normal understanding.

3. Word stress alone is capable of differentiating the meaning of words or their forms, thus performing its distinctive function. The accentual patterns of words or the degrees of word stress and their positions form oppositions, e.g. 'import — im'port, 'billow — below.

The accentual structure of English words is liable to instability due to the different origin of several layers in the Modern English word-stock. In Germanic languages the word stress originally fell on the initial syllable or the second syllable, the root syllable in the English words with prefixes. This tendency was called recessive. Most English words of Anglo-Saxon origin as well as the French borrowings (dated back to the 15th century) are subjected to this recessive tendency. Unrestricted recessive tendency is observed in the native English words having no prefix, e.g. mother, daughter, brother, swallow,,in assimilated French borrowings, e.g. reason, colour, restaurant. Restricted recessive tendency marks English words with prefixes, e.g. foresee, begin, withdraw, apart. A great number of words of Anglo-Saxon origin are monosyllabic or disyllabic, both notional words and form words. They tend to alternate in the flow of speech, e.g. 'don't be'lieve he's 'right.

The rhythm of alternating stressed and unstressed syllables gave birth to the rhythmical tendency in the present-day English which caused the appearance of the secondary stress in the multisyllabic French borrowings, e.g. revolution, organi'sation, assimilation, etc. It also explains the placement of primary stress on the third syllable from the end in three- and four-syllable words, e.g. 'cinema, 'situate, ar'ticulate. The interrelation of both the recessive and the rhythmical tendencies is traced in the process of accentual assimilation ofthe French-borrowed word personal on the diachronic level, e.g. perso'nal — 'perso'nal — 'personal.

The appearance of the stress on the first syllable is the result of the recessive tendency and at the same time adaptation to the rhythmical tendency. The recessive tendency being stronger, the trisyllabic words like personal gained the only stress on the third syllable from the end, e.g. 'family, 'library, faculty, 'possible.

The accentual patterns of the words territory, dictionary, necessary in AmE with the primary stress on the first syllable and the tertiary stress on the third are other examples illustrating the correlation of the recessive and rhythmical tendencies. Nowadays we witness a great number of variations in the accentual structure of English multisyllabic words as a result of the interrelation of the tendencies. The stress on the initial syllable is caused by the diachronical recessive tendency or the stress on the second syllable under the influence of the strong rhythmical tendency of the present day, e.g. 'hospitable — ho'spitable, 'distribute — dis'tribute, 'aristocrat — a'ristocrat, 'laryngoscope — la'ryngoscope.

A third tendency was traced in the instability of the accentual structure of English word stress, the retentive tendency: a derivative often retains the stress of the original or parent word, e.g. 'similar — as'simitate, recom'mend — recommen 'dation.

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