Dance disciplines for BELLY DANCE

Improvising in drum solo and Raks Sharqi with organizers music.

3.1. BELLY DANCE/ORIENTAL: based on the classical style Raks Sharqi and includes or may consist of elements

of Oriental folk dances and styles, but they should not dominate. It is forbidden to use acrobatic movements

or lifts, use props or accessories except of canes, finger cymbals, and “conventional veils”. Veils that have

been made into “wings” by the use of rods are permitted if they are not the focus of the choreography and are used

for dramatic effect at the beginning or end of the piece.

Musical accompaniment for BELLY DANCE/ORIENTAL: classical instrumental work with possible accompaniment

of vocals. Modern or pop versions of music may be used if the dance and image created conform to the

aforementioned principles.

3.2 Show BELLY DANCE/ORIENTAL Show: choreography with compulsory show elements may incorporate

any form of dance, however BELLY DANCE original technique predominates. It is allowed to use oriental props

and appropriate accessories (two veils, Isis wings, saber, vases, knives, and etc.) and any type of costume. Lifts

and acrobatics are allowed. Various dances, styles and fusions of fantasy styles like flamenco oriental, Tribal,

oriental tango, gothic and others are welcome.

There has to be a development of the plot (introduction, culmination, final).

Competitors in Show BELLY DANCE/ Oriental Show should provide the organizer the title of their show.

Stage props and scenery may be used if the competitors themselves put the objects in place during a single visit to the stage and remove them without the help of non-performers.

Musical accompaniment for SHOW BELLY DANCE can be any kind of music.

Scenic props: 15 seconds to bring for solo, duo, small group; 45 seconds - for formation and mix-formation

3.3. ORIENTAL FOLK DANCE:

Oriental folk dance reflects the national features, traditions, habits, music, costume and history of a peoples’ society living in a particular place, region or country. It is the cultural property of all people of a given territory.

Dance styles Oriental FOLK DANCE:

• Saidi

• Alexandrian

• Khaleegy

• Nubian

• Dabke

• Ghawazee

• Haggallah

• Shamadan

• Falaahii

• Bedouin

• Moroccan

• Tunisian

• Algerian

• Iranian

• And other dances of Arabian culture and territorial countries in North Africa, Middle East and Persian Gulf.

Folkloric dances must be performed using music of the particular nationality being represented, in a corresponding

costume and contain characteristic movements, manners, and themes of that specific folk genre. Oriental stage

props or accessories have to belong to the particular dancing style e.g. an original Shamadan. (It is not allowed to

switch on the candles.) e.g. sticks for Saidi, e.g. a pitcher for Tunisian

Competitors in Oriental Folk Dance should provide the Organizer the dance style, they will perform.

Music

In any round it is imperative that the performer’s music be the only piece of music on the recording.

The duration of the piece should be in accordance with the rules of specific category and age division.

It is the responsibility of the performer or a representative of the performer to provide the person, who is responsible for the sound well in advance but at an appropriate time with the recording indicating the number and name of the performer. (Semi-final: one of either CD with one track. Final: another CD with one track). In the event that these requirements are not met by the performer the right to participate in the competition may be revoked.

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