ТОР 5 статей: Методические подходы к анализу финансового состояния предприятия Проблема периодизации русской литературы ХХ века. Краткая характеристика второй половины ХХ века Характеристика шлифовальных кругов и ее маркировка Служебные части речи. Предлог. Союз. Частицы КАТЕГОРИИ:
|
Classification of syntactical stylistic devices. Repetition, represented speechGroup 1. Pattern of syntactical arrangement: inversion, detachment, parallelism, chiasmus, repetition, enumeration, suspense, climax, antithesis. Group 2. Peculiar linkage: asyndeton, polysyndeton, gap sentence link. Group 3. Colloquial constructions: ellipsis, aposiopesis, q-n in the narrative, represented speech. Group 4. Stylistic use of structural meaning: rhetorical q-n, litotes. Repetition – is aimed at giving logical emphasis and fixing attention to the key word. Types: 1) ordinary repetition (repeated unit doesn’t have a fixed place in the sentence); 2) anaphora (initial position of repeated unit at the beginning; the aim is to make the word more memorable, to increase the sound harmony); 3) epiphora (at the end of a s-ce); 4) framing (beginig+end); 5) anadiplosis (end of a previous part and beginning of the next); 6) chain repetition (succession of several anadiplosises); 7) root repetition (the root is repeated). Syntactical tautology – implies repetition of the noun subject in the form of corresponding personal pronoun. Represented speech – reproduces the spoken words or thoughts of a character almost directly by still within the author’s speech. It represents the words and inner thoughts more vividly and emotionally than indirect speech. May be of 2 types: 1) uttered; 2) unuttered. May be marked by certain grammatical features: - the change of a tense form from Present to Past; - the change of pronoun from their 1st and 2nd to their 3rd; - a peculiar choice of vocabulary; - the syntactical structure of the utterance doesn’t change. Functions: 1) allows the writer in a condensed and objective manner to lead the reader into the inner word of human mind. 2) to render the char’s words, which are not spoken allowed; 3) to reveal speaker’s psychology or temporary mental state.
Не нашли, что искали? Воспользуйтесь поиском:
|